New event bookings

Based in Scotland, I travel anywhere to perform, speak or lecture at festivals, conferences, schools and other events. Please get in touch below to discuss your needs. N.B. Scottish events / residencies can be part-funded via theย Scottish Book Trustย Live Literature Programme โ€“ย author profile.ย  Blue: a lament for the sea Spoken Word by Liz MacWhirter, Film… Continue reading New event bookings

Research papers round-up

International Piers Plowman Conferenceย Londonย โ€˜My herte can thinkeโ€™: exploring intersections between the embodied mysticism of Julian of Norwich, trauma theology and the emotions through creative practice research.ย Responder: Nicholas Watson, Harvard University, Medievalist and Literary Critic. 7.7.23. Yale University Graduate Conference in Religion and Ecology โ€˜Blue: a lament for the seaโ€™ a creative-critical paper. 3.3.23. International Medieval Congress Leeds University โ€˜Blue:… Continue reading Research papers round-up

Blue; a lament for the sea

UPDATED OCTOBER 2025: OUT NOW, A POETRY PAMPHLET PUBLISHED BY STEWED RHUBARB PRESS ยฃ6 Blue: a lament for the sea is one woman's journey through the interstices of land and sea, grief and love. The medieval Gaelic myth of the Isle of Iona escaping an apocalyptic flood infuses this contemporary lyric epic in free verse.… Continue reading Blue; a lament for the sea

A poesis with dreamy medieval poetics at โ€˜Finnconโ€™, Helsinki, 2022

Mid-way through my PhD is proving to be an exciting, generative time. Not least for the opportunities to give papers at international conferences such as Finncon in Finland. My visit to Aalto University in Helsinki was supported by a College of Arts Research Support Award and Publishing Scotlandโ€™s Author International Travel Fund.  โ€˜Hope and Resilienceโ€™… Continue reading A poesis with dreamy medieval poetics at โ€˜Finnconโ€™, Helsinki, 2022

Research funded by the University of Glasgow

The second year of my PhD started with two funded trips enabling inspiring research on location, following desk research at home during the pandemic. For context, my PhD is a creative and critical response to ontological suffering in a pre-modern context that resonates with contemporary interest; that is to say, among other themes it draws… Continue reading Research funded by the University of Glasgow