Research funded by the University of Glasgow

The second year of my PhD started with two funded trips enabling inspiring research on location, following desk research at home during the pandemic. For context, my PhD is a creative and critical response to ontological suffering in a pre-modern context that resonates with contemporary interest; that is to say, among other themes it draws… Continue reading Research funded by the University of Glasgow

Lady Macbeth by Liz Macwhirter

Experimental piece for my creative practice PhD at the University of Glasgow. LADY MACBETH As a woman, you’d think she’d be used to blood. A queen now, but she has butchered animals in her time – given thanks as she cut meat to strengthen her own flesh. Her monthly discharges, rinsing bloodied cloths, her fluids… Continue reading Lady Macbeth by Liz Macwhirter

Fake Dance-Off by Liz MacWhirter

FAKE DANCE-OFF by Liz MacWhirter Experimental piece for University of Glasgow PhD, in the style of FOUCAULT AND PENCIL by Lydia Davies Touch button on iPhone to record husband dancing on video. Act of touching button on iPhone alters angle of screen so bottom of lampshade now in view. Stop video, tell husband to stop… Continue reading Fake Dance-Off by Liz MacWhirter

The Courier Magazine: 10 common dreams.

This feature appeared in The Courier Magazine on Saturday 27 April, before an event at Soutar Book Festival on Sunday 28 April. If you thought dream analysis was a modern phenomenon you’ll be surprised to learn that even as far back as the second century AD people were fascinated by their dreams. Oneirocritica –The Interpretation… Continue reading The Courier Magazine: 10 common dreams.

“Be Strong!” Rewriting the cultural narrative.

My guest blog post for academic / illustrator Elizabeth Dulemba reveals some of the historical sources I used to write BLACK SNOW FALLING, and why, in rewriting this cultural narrative about women, I chose not to give my protagonist, Ruth, any super-powers, despite the fantasy element of the story.